The persistence of repetition, as both process and formal materialization, as utilized by Hanne Darboven, Donald Judd, Agnes Martin, Sol Le Witt and other artists involved with the development of Minimalism during the 1960s, is renavigated by Hatoum through the more subjective and theatrical possibilities introduced in early Performance works by Marina Abramovic, Vito Acconci, Chris Burden, Valie