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  • The case of Wagner, with his satanic, proto-Nazi Parsifal, exemplifies the transition of the circles of composers such as Bruckner and Mahler, as well as Ernst Mach, Sigmund Freud, and Georg Lukacs, beyond the Romanticism of Franz Liszt, into the cult of outright (??modernist??) satanism introduced to continental Europe, especially Austria and Germany, by British theosophists, as do the ??impressi
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