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  • Those unfamiliar with the tradition of stylized grotesques and violent Passion imagery in the sacred art of Matthias Gruenwald, Hieronymus Bosch, and Pieter Bruegel are apt to blame Gibson???s film for lacking well-developed characterizations and for focusing too much on brutality, rather than recognizing that nuanced character development is not always to the point in all forms of art, and that b
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