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  • Elfman was apprehensive at first because of his lack of formal training, but with orchestration assistance from Oingo Boingo guitarist and arranger Steve Bartek, he achieved his goal of emulating the mood of such composers as Nino Rota and Bernard Herrmann.[11] In the booklet for the first volume of Music for a Darkened Theatre, Elfman described the first time he heard his music played by a full o
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