References range from surrealism (Etc??tera's foundational myth) and Russian avant-garde movements (posters by Malevich and Maiakovsky, cited by TPS) to less explicit influences like the graphics produced in France's May events, Fluxus and situationism, Chilean CADA and, last but not least, the legacy of conceptualism introduced into Argentine art in the 60s by such artists as Alberto Greco, Oscar