Backed by Rosewood and Xenia Ghali???s woodwind samples, he addresses such issues as whether to bring your girl to a guys??? night out at the club (F**k no.) and the attitude a man should take toward his haters (F**k ???em.) After a false ending, the record takes an abrupt left turn; a blistering, dubstep-informed groove sizzles in the back as Jacobs showcases the more aggressive side of his flow.