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  • Just about everything you would hope to learn about Mastroianni's career is here: What it was like to work with such directors as Manuel DeOliveira, Federico Fellini, Pietro Germi, and Vittorio DeSica; how he felt about the reductive Latin Lover sobriquet he picked up after La Dolce Vita (a mixture of bemusement and loathing); and how he developed his suave, effortlessly sexy persona (by imitating s
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