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  • used for unsold editions, so that they functioned as reprints or waste; typically enormous number of these covers" were left behind for publishers.[3] Other terms for the books were Penny dreadfuls", railway novels" and mustard plaisters".[11] For the illustrations, Evans commissioned artists such as George Cruikshank, Phiz, Randolph Caldecott and Walter Crane.[9] Evans' first cover was bright
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